Archive for the ‘Funeral Hymns’ Category

Understanding the Modern Christian Funeral

Sunday, August 30th, 2009

Christians lean on the Bible for solace and lessons in life and in death.

Christians lean on the Bible for solace and lessons in life and in death.

If you were asked to attend a Christian funeral, what can you expect? Without going into the history of Christianity, a few notes about Christian funerals can provide basics for those who are not Christians. Even if you are Christian, you may be a Catholic and the deceased may have been a Baptist. You may realize, in this latter case, that the Christian burial for the deceased may be a new experience for you.

At the very base, all Christians believe in life after death, and they direct their lives to achieve eternal life in heaven. They believe that Jesus was the Son of God and that he came to earth to teach individuals through lessons and actions. These lessons, which are contained in the Christian Bible, also teach that a true believer in Jesus and the Christian faith will be forgiven for sins as a result of Jesus’ sacrifice and gain eternal life in Heaven.

Ideally, this lesson is the base for the Christian lifestyle, but it serves as the base for the Christian funeral as well. With that said, Christianity has splintered into many different religions and each one holds close its own interpretation of the Bible. While some religions may be more ritualistic, others may be more casual and others still may resemble each other in all but small details.

No matter the pattern of worship, the funeral service typically shares the same format and serve the same purpose across the board – to to pray for the soul of the deceased and to offer comfort and support to the bereaved.

For those who are not familiar with the Christian funeral, you can expect:

  • The service to be opened by a prayer or a statement made by a religious leader such as a priest or a minister, a pastor or preacher. This leader, in most cases, will set the tone of the funeral service by praying for the deceased, asking for prayers for the deceased and showing comfort for the family of the deceased.
  • Funeral guests are encouraged to join in with prayers, singing and may provide readings throughout the funeral service. Don’t worry if you don’t know the prayer or the song or reading. In many cases, the words are available in a hymnal, a prayer book or – in some larger churches – in a slide shown on a screen. Although words may be available, you do not need to participate. But, if the congregation is asked to stand or kneel for certain portions of the service, you might honor the deceased by following along.
  • Depending upon the religion, scriptures might be read by the religious leader or by a guest or family member. These readings often vary by religion.
  • Depending upon the religion, friends or family members may honor the deceased with a eulogy, a song or a poem.
  • The service usually ends with a prayer offered by the religious leader, who usually states that the service is over. Unless the service is a memorial service – where the body of the deceased is not present – or a service that does not include a burial (such as a service for a person who has donated a body to science), the religious leader may lead funeral guests to the graveyard.
  • Many times, religious funeral services are not held in the church or even in a funeral home. Some religious services may be held at the graveside. In this case, you still may expect basically the same format as listed above.

In most cases, the Christian funeral is somber, despite the joy that many Christians profess at the possibility of attaining eternal life. Dark-colored clothing is appropriate, and cell phones and recording devices normally are frowned upon. Beyond this, if you are asked to attend a ‘get-together’ or post-funeral wake, all bets are off. Even Christians who attend a wake after the funeral often do not know what to expect, as these gatherings usually are shaped by religion, by cultural preferences, by the manner of death and age of the deceased and by the mood and traditions set by the surviving family.

Presidential Funeral Music

Saturday, August 29th, 2009
John F. Kennedy Jr. salutes his father's casket as it leaves St. Matthew's Cathedral.

John F. Kennedy Jr. salutes his father's casket as it leaves St. Matthew's Cathedral.

If the weather holds against Hurricane Danny, Senator Ted Kennedy’s burial is slated for this evening at Arlington Cemetery. While the news has been filled with information regarding the Senator’s death, honorary tributes to his life, interviews to gather various perspectives on political, friendly and family relationships and even information about where, exactly, the Senator is to be buried, little if anything has been said about the music that might be played during the funeral procession, during the Requiem Mass, or at Arlington Cemetery.

But, one might look at previous funerals – especially one of another Kennedy – to learn more about music that might be played at a funeral that is both Catholic and that belongs to the nation. When President John F. Kennedy was buried on 25 November 1963, a Washington Star music critic writer made note of the music he heard on that day. Irving Lowens wrote:

Last Monday, millions watched the solemn procession of the caisson from the Capitol to the White House, from the White House to St. Matthew’s Cathedral, from the cathedral to Arlington National Cemetery and as they watched, heartsick, they listened.

What music did they hear?

Every momentous event breeds legends, and already the legends about the music that accompanied the  dead march proliferate. Some are entirely wrong.

From that point, Lowens proceeded to list the events that occurred during the entire funeral that day and the music that underscored those events. While you can learn more from Lowen’s article posted at the John F. Kennedy Presidential Library and Museum Web site, the list below can provide you with the music that accompanied President Kennedy’s casket that day, who played, sang or directed the music, and the order in which each piece was played.

Whether or not any piece listed below might be played during Senator Kennedy’s funeral proceedings is unknown. After all, the causes of death between the two brothers were different, as were the standings of the brothers politically. For instance, “Hail to the Chief” would never be played during any funeral other than a president’s funeral. But, other musical choices may show a tie between the brothers. As one author noted, “Ave Maria” was sung at President Kennedy’s funeral, at his wife Jackie’s funeral in 1994, and at the 1998 funeral for Michael Kennedy, President Kennedy’s nephew and the son of John’s brother, the late Senator Robert Kennedy.

Capital Plaza (lying In State): The Coast Guard Academy Band played: “Ruffles and Flourishes” four times, “Hail to the Chief,” and the hymn, “O God of Loveliness”

Funeral Procession to White House:
Three service bands marched in the following order in the funeral procession: the Marine Band; the Navy Band; the Air Force Band. Each organization had an approved repertory of three pieces which were played during the 35-minute march as seemed appropriate. Marine Band selections were: “Our Fallen Heroes,” “Holy, Holy, Holy,” and “The Vanished Army”; Navy Band selections were the Beethoven “Funeral March,” the R. B. Hall “Funeral March,” and “Onward Christian Soldiers”; Air Force Band selections were the Chopin “Funeral March,” the hymn, “Vigor in Arduis” (Hymn to the Holy Name), and “America the Beautiful.”

White House: The Naval Academy Catholic Choir sang three selections at the north portico: “Above the Hills of Time the Cross Is Gleaming” (Londonderry Air) “Eternal Father, Strong to Save,” and “Dona Nobis Pacem.”

Funeral Procession to St. Matthew’s Cathedral: Music was provided by nine pipers from the Black Watch of the Royal Highlanders Regiment, who played “The Brown Haired Maiden,” “The Badge of Scotland,” “The 51st Highland Division,” and “The Barren Rocks of Aden.”

Arrival at Cathedral: The Army Band played “Ruffles and Flourishes” four times, “Hail to the Chief” and the hymn “Pray for the Dead.” (satellite television coverage ended when the Cathedral doors were shut, and resumed again when the doors reopened after the Requiem Mass)

Requiem Mass: The choral music during the mass was sung by the St. Matthew’s Choir, Eugene Stewart, organist and choirmaster, the tenor soloist was Luigi Vena (who had sung at John and Jackie Kennedy’s wedding). The program was as follows: “Subvenite” (choir); “Pie Jesu,” Leybach (tenor solo), “Ave Maria,” Schubert (tenor solo); “In Manus Tuus,”  Novello (tenor solo); “Sanctus and Benedictus,” Perosi (choir). Mr. Stewart conducted the Perosi “Sanctus and Benedictus;” the Gregorian “Subvenite” and the “In Paradisum” were led by James Walsh.

Conclusion of Mass: The Army Band played “Ruffles and Flourishes” four times, “Hail to the Chief,” and the hymn “Holy God, We Praise Thy Name.”

Funeral Procession to Arlington National Cemetery: The music used was the same as that for the march from the Capitol to the White House, with the service bands proceeding in the same order.

At the Cemetery: The Marine Band played “Ruffles and Flourishes” four times and then “The Star Spangled Banner.” As the coffin was moved from the caisson to the burial site, the Air Force Pipers played “Mist Covered Mountain.” Following the 21-gun salute and the three artillery volleys, “Taps” was played by Army bugler Sgt. Keith Clark. During  the closing flag-folding ceremony the Marine Band played the hymn, “Eternal Father, Strong to Save.”

To learn more about President John F. Kennedy’s funeral, visit Wikipedia, Arlington National Cemetery Web site or Fifties Web.

The Christian Funeral Hymn

Wednesday, August 26th, 2009
Church singing, Tacuinum Sanitatis Casanatensis (XIV century).

Church singing, Tacuinum Sanitatis Casanatensis (XIV century).

Although funeral hymns have been a necessity for religious funerals since the eighteenth century, in a sense there are no true funeral hymns. In other words, few if any classic hymns were written specifically for funerals. Instead, many hymns chosen for funerals are those that remind the family of the deceased, the deceased’s life or his or her beliefs.

Hymns have been described as sacred poetry set to music and they have been part of the Christian tradition and the Jewish from which it was derived, although not always written specifically for the masses. Psalms and specially-composed sacred songs were widespread in Christian worship by the fourth century and some suggest that passages in the New Testament are quotes from hymns already in use (see below).

However, political changes within religious bodies have steered the history of hymns. During the Medieval era, singing of hymns by anyone other than officials in the Catholic Church was considered an ‘error of Popery’ or carnal formality. Hymns at that time were written for aristocracy and performed in private chapels by professional musicians and were not to be shared with the unwashed masses.

Public church music at that time consisted of plainchant hymnody, or music that inspired discipline and little joy. However, with the Reformation in the sixteenth century, church music took on new meaning. The Book of Psalms was chosen and given rhyme and verse structures to make the verses easy to sing and to understand in an otherwise illiterate congregation.

Congregational music became inclusive after Benjamin Keach, minister of the Particular Baptists in Southwark, England, persuaded the majority of his congregation to sing a hymn one day at the end of Communion. He asked them to remember the Gospel account of the Last Supper (Matthew 26:30), “And when they had sung a hymn, they went out into the Mount of Olives…”

Twenty years later, in 1691, Keach published a paper declaring the necessity of public singing in churches. In 1697, he published a collection of thirty-seven hymns. But, the writer who began the new era of the Christian hymn was Isaac Watts (1674-1748), whose hymns are still sung by Protestant congregations today. Two of his most famous include “Joy to the World” and “When I Survey the wondrous Cross.”

Although many great Christian songwriters have contributed to religious hymns over the centuries, none of these hymns were dedicated solely to funerals. With that said, the development of Gospel music as an aid to evangelism during the eighteenth century also proved a great aid to development of songs that provided solace to surviving families of the deceased. Gospel music, deeply influenced by English brothers John and Charles Wesley, was created to stir the emotions and feelings of the congregation in direct contrast to metrical psalms and well-controlled congregational hymns.

Today, in funeral arrangements, the deceased may have made specific wishes for music, or the surviving family may choose among a variety of options for the funeral service. Gospel, folk, traditional and even chants are used to characterize the life of the deceased for these occasions. In all cases, the suggestion of appropriate words within the hymn should be considered. As Music for Church Choirs states: “If the funeral is followed by a trip to the crematorium, for example, steer them [the surviving family members] away from the hymn Sing Hosanna. Why? Have a look at verse 4…”

“Give me oil in my lamp, keep me burning,
Give me oil in my lamp, I pray.
Give me oil in my lamp, keep me burning
Keep me burning till the end of day.”

To avoid the issue of words within hymns, many families choose instrumentals instead. But, those families dedicated to the church often know well in advance the hymns that are close to the deceased’s heart, as hymns are part and parcel today of any religious experience – including death.

To read more about the history of Christian hymns, try Baptist Hymn Writers, History of the Christian Hymn, Encyclopedia’s Hymns or Wikipedia’s Hymn.