Archive for the ‘Funeral Songs’ Category

Mozart’s Masonic Funeral Music, K.477

Sunday, December 27th, 2009

Striving for a synthesis between the sacred and theatrical, this piece by Johannes Chrysostomus Wolfgangus Theophilus Mozart brings both class and confusion into the twenty-first century’s choices for traditional funeral music. Mozart wrote this C-minor Mass to celebrate his marriage to Constanze Webber. Although only half-finished, this Mass premiered in Salzburg in 1783, when Wolfgang and Constanze visited his family in that city. Constanze sang a solo part in that Mass, which contains some difficult vocals.

Like Mozart’s Requiem, the explanation as to why either piece was not finished is unknown. Alfred Einstein called it ‘a magnificent torso,’ and several musicians have tried to complete it over the decades. Louis Langrée, who conducted one recording, found those additions unsatisfactory and created his own version. Where Mozart omitted or sketched vocal and instrumental parts, Langrée reconstructed them, but unlike some editors did not substitute music from other pieces for the missing sections. Setrak Setrakian conducts the version you can hear in the video posted above.

Edith Eisler wrote, “Apart from some clumsy transitions and muddy counterpoint, his emendations work well. The Mass’s grand, solemn first chorus in somber C minor (Mozart’s favorite key for drama and tragedy) seems a strange opening for a hymn of thanksgiving, but the mood soon changes to serene affirmation with a very operatic soprano aria in E-flat major, and indeed C minor never returns.”

Also called the “Masonic Funeral Music,” this piece combines elements of march and chorale, beginning in tragic C minor, but ending on a radiant C-major chord.

Over his lifetime, Mozart composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers.

Funeral Music Composed for a King

Monday, November 30th, 2009

Gustav II Adolf, born in 1593, was founder of the Swedish Empire at the beginning of what is widely regarded as the Golden Age of Sweden. But, despite the luminous quality of the era’s name, Gustav faced an era characterized by nearly endless warfare. He led his armies as King of Sweden from 1611 at seventeen until his death in battle while leading a charge during 1632 in the Thirty Years’ War.

While Gustav was fighting his wars, Andreas Duben was admitted to Leipzig University, where he studied music from 1614 to 1620. In that year, Duben became second organist of the new Swedish court orchestra at Stockholm, engaged from Germany for Gustav II Adolf’s wedding.

Gustav was taken with the composer, and Duben soon reached a prominent position among court musicians. He was appointed conductor in 1640, and alongside his court service he became organist at two Stockholm churches. Pugna triumphalis, one of two choral compositions that survive, is the source for the music in the video above. Duben wrote this piece for Gustav II Adolf’s funeral in 1634 (Gustav was killed in 1632, but was not buried for eighteen months).

According to the post at YouTube for this video, the closing line to Pugna triumphalis, “…in illa die justus judex,” is magnificent. “The composition was printed in Stockholm and distributed to other parts of the kingdom for performances where practically possible. The music moves at a steady pace, reminiscent of muffled church bells, and within this framework allows great flexibility for the declamation and significance of the words, not least the opening cross-rhythms of “bonum certamen certavi” (”I have fought the good fight”).”

Bonum certamen certavi
cursum cunsummavi,
fidem servavi;
In reliquo reposita
est mihi corona justitiae,
quam reddet mihi Dominus
in illa die justus judex.

I have fought a good fight,
I have finished my course,
I have kept the faith:
Henceforth there is laid up for me
a crown of righteousness
which the Lord, the righteous judge, shall give
me at that day.

According to Wikipedia, Gustavus Adolphus Day is celebrated in Sweden each year on 6 November. On this day only, a special pastry with a chocolate or marzipan medallion of the king, is sold. The day is also an official flag day in the Swedish calendar. In Finland, the day is celebrated as svenska dagen or ruotsalaisuuden paiva, “Swedishness Day,” and is a customary flag day. In Estonia, the day is known as Gustav Adolfi paev. In all three countries, 6 November is the name day for Gustav Adolf, one of the few exceptional name days in the year.

Top Ten Alternative Funeral Songs in the U.K.

Tuesday, October 20th, 2009

This past January, the Telegraph reported on alternative funeral songs, listing ten top choices among 764 people questioned for the survey in the U.K. The video above won the top spot on that list, a cheery tune from Monty Python entitled, “Always Look on the Bright Side of Life.”

The tune is from the Life of Brian film, and it beat out competition from The Jam’s “Going Underground” and The Animals’ “We Gotta Get Out of This Place.” According to the Telegraph:

The survey, commissioned by the Children’s Society, also found that nine out of ten people found talking about funeral arrangements more difficult than talking about sex…A spokesman for the society said it appeared people were turning away from “serious” funeral tunes such as Robbie Williams’ Angels in an effort to make the experience a more uplifting one.

Lorraine Groves from the Children’s Society said: “Funerals have changed a lot in the past few years – more people are planning ahead to make their funerals personal and reflective of themselves.

“We know many people prefer a simple affair and would rather their mourners give donations in memory rather than lots of flowers, along with a little lighthearted twist during the proceedings like an alternative song.”

Here is the list, with links to videos at YouTube in case you’re so old you’ve forgotten the lyrics (let alone the most excellent outfits and makeup provided by artists such as Dr. and the Medics…):

  1. Always Look On The Bright Side Of Life – Eric Idle / Monty Python (above)
  2. Cabaret – Liza Minnelli
  3. Wish Me Luck As You Wave Me Goodbye – Gracie Fields
  4. My Way – Sid Vicious
  5. They’re Coming To Take Me Away, Ha-Haaa – Napoleon
  6. Fame! I Want To Live Forever – The cast of Fame (not the original in this video, but you can get the idea)
  7. We’ve Gotta Get Out Of This Place – The Animals
  8. Going Underground – The Jam
  9. Spirit In The Sky – Dr and The Medics
  10. Enjoy Yourself, It’s Later Than You Think – The Specials (this one performed by The Busters)

“Borrowed Angels” Perfect Music for a Child’s Funeral

Friday, October 9th, 2009

If you search for music for a child’s funeral on the Internet, you may have seen huge support for Kristin Chenoweth’s song, “Borrowed Angels.” Perhaps the lyrics in the chorus say it all:

There must be Borrowed Angels, here in this life
They come along, into this world, and make this world bright
But they can’t stay forever
Cause they’re heaven sent
And sometimes, heaven needs them back again.

Chenowith is most well-known for her television and film roles, which include Glinda in Broadway’s Wicked, her role as Annabeth Schott in the television show, The West Wing, and for her role as Olive Snook in the ABC dramedy, Pushing Daisies. Chenowith won the 2009 Emmy Award for Outstanding Supporting Actress in a Comedy for the latter role.

But, Chenowith also is a classically trained coloratura soprano with a four-octave vocal range.

Chenowith recently wrote a memoir about her life entitled, A Little Bit Wicked: Life, Love, and Faith in Stages, which recounts her life as an adopted child, her role in Wicked and her time in Hollywood. She speaks publicly about her faith and describes herself as a “non-judgmental, liberal Christian.” She was raised as a Southern Baptist, but now claims she is non-denominational. Chenoweth was awarded an honorary doctorate in Performing Arts from the University of North Carolina School of the Arts on May 30, 2009, where she was the commencement speaker.

The song, “Borrowed Angels,” is available on the Internet as a free MP3 download ($.99 at Amazon.com), and the lyrics are widely available on the Web.

You Can Celebrate Your Life at Bcelebrated.com

Monday, October 5th, 2009
Bcelebrated.com

Bcelebrated.com

Although some people don’t like to think about death, a chronic condition or some near-death experience often alters those views. Brushing up against the grim reaper often motivates people to look at the brighter side of life and to think about how their deaths might affect others. Often, such a profound experience forces some individuals to develop a deeper sense of introspection.

Such was the case with Barbara Houston, who stated, “one of the greatest gifts of my life was getting Cancer…It didn’t change who I am. It just helped me discover other sides of myself. I also discovered more about the people around me. For the first time I can remember I was the one in need. I had to rely on others. I had to not only accept help, but at times I had to reach out and ask for it directly. That has been a real challenge for me. It’s taken courage to do it.”

Barbara left that journal entry online at Bcelebrated. com, a site where anyone can document their life as they live it, knowing their words and images will automatically be shared with friends, family and community when they pass away. Members can journal their life by adding stories, visuals and music to an autobiographical memorial website. Members’ contacts are automatically notified by email and invited to visit the member’s site. Friends and family have the opportunity to read his or her life story, share comments, donate to a charity selected by the member, and visit a private page that was created especially for them.

The ability to document this information is not free. Currently, the cost is a few pennies under $100 for a lifetime membership. The site also offers a 30-day free trial and a $19.95 annual membership.

But, the cost may be small for those who are not familiar with building Web sites and who often are provided the task of documenting a loved one’s life after that loved one has died. You may pay someone more than $100 to pull information together for you, such as a funeral home. Why not do this work yourself and enjoy the process while you’re at it? Geoffrey Dunn stated his fascination with Bcelebrated this past month when he wrote:

Since I’m a writer and archivist, I was placed in charge of getting all of their [loved ones] remembrances together, of selecting photos for their memorials and death notices, selecting music for their services, counseling the family about interment options and other matters related to these deaths.

It was a daunting task. I always wondered what photos these deceased friends and family members would have wanted selected, what music, what parts of their lives they would have wanted shared. In one instance a 93-year-old friend handed me a note in the hospital and asked me to complete a final task for him. I could not read his handwriting. I was blessed to be asked, but burdened by the possibilities and uncertainties.

Then, this past summer I discovered a remarkable new web site called BCelebrated. I realized immediately this site was the perfect cyber-age tool to eliminate much of the trauma and challenges that I had personally faced, both directly and as a support person, in recent years.

Debra Joy, CEO of Bcelebrated, stated, “When death comes – and it does for us all, the process of contacting everyone who knows you and presenting your life in the form of obituaries and public memorials will be left to others…unless you do it yourself. Bcelebrated allows you to define your own legacy, and will save your loved ones from the grief of coping with the small details of your life that, perhaps, only you would know.”

Bcelebrated allows users to design a template, biography, photo gallery, private pages for such items as notes to loved ones or an obituary that you want published and contacts. But, you are not finished until you add “activators,” which allow Bcelebrated to automatically send emails to your contacts when they receive notification of your death. Bcelebrated also provides loved ones with phone numbers for those who do not have email.

When your contacts are notified, they can log into Bcelebrated.com to read your last wishes and to post memorial information. They cannot gain access to your site to make changes, so you can rest assured knowing that your information is yours – not written by someone who may want to alter your life as you knew it.

You also can rest assured that Deathcare.com did not receive compensation for touting this site to our readers. We just think – for the price – that this is one way to help our readers take responsibility for end-of-life celebrations and decisions. Who knows you better than you, after all?

Classical Funeral Music: Adagio in G minor

Tuesday, September 29th, 2009

Have you ever attended a funeral where the music struck your soul? While funeral music choices often are selected by family members and chosen to suit the family members’ tastes, appropriate music can inspire and comfort guests as well as they celebrate a life passed and mourn that passing.

There’s nothing to stop you from planning your music for your own funeral. Some things to keep in mind when choosing funeral music include the venue for the funeral, whether you want a somber, religious or lighthearted mood and whether that music fits you personally. One reason to pick a venue for the funeral or memorial service first is possible restrictions on the type of music you can use. Some churces may not allow secular music within the church or within the service. In the latter case, you can use secular music before and after the service.

Classical music (which is considered secular in many venues) is one choice that many people lean toward, because instrumentals provide soothing background music. One example of a popular classical piece for funerals is included in the video above (just audio, no video for almost ten minutes). This piece is the Adagio in G minor by Albinoni, and Karajan conducts the Berlin Philharmonic for this piece.

Adagio in G minor for strings and organ continuo actually is a neo-baroque composition written by Remo Giazotto and first published in 1958. Supposedly, the piece was based upon a fragment of a second-movement continuo from a “Sonata in G Minor” by Tomaso Albinoni found among the Saxon State Library ruins in Dresden after it was firebombed by the Allies during World War II. However, according to Wikipedia, “since Giazotto’s death in 1998 it has emerged that the piece is all his composition, as no such fragment has been found or recorded to have been in possession by the Saxon State Library.”

While many people might think this piece is a time-honored classic, it actually is quite modern and has permeated popular culture after being used in movies such as The Trial and Gallipoli. Therefore, it has become a popular piece that underscores pain and tragedy, and – as such – has become a perfect musical background setting for many funerals.

A Morbid Bluesy Number with a “Spanish Tinge”

Wednesday, September 23rd, 2009

We ran across Soup Greens the other day, Lucas Gonze’s Web site. Lucas works on Internet music, both as a technologist and as a musician. He led the creation of XSPF, the dominant Internet playlist format for music and he also helped to craft formats for embedding Creative Commons license statements in MP3, OGG and SMIL. Further, he was a Director of Product management at Yahoo! Music, where he created the Yahoo! Media Player and led the lineup of media players, including Launchcast.

While Lucas’ achievements are lengthy, we were struck by the devotion that this Los Angeles-based guitarist and folk music historian has to Blues and to finding songs that have been stuffed away in musty archives and breathing new life into that music.

Hence, this “morbid bluesy number with a Spanish tinge” first published in 1857. Lucas writes about his performance shown above in the video:

I discovered it because Jelly Roll Morton quotes it in “Dead Man Blues.” This song is still around in the New Orleans funeral style that Jelly Roll was riffing on – you hear this tune as the Gothic minor snippet before things get happy.

But in that context you never get to hear the whole thing, just a little snatch of it, so what I did here is let it keep rolling out all the way to the end. Then at the end I quote the beginning of “Yellow Dog Rag” by W. C. Handy, as if that was going to be the uptempo number the whole thing was setting up.

In addition, he supplies the lyrics to this song from his site:

Flee as a bird to your mountain
Thou who art weary of sin
Go to the clear flowing fountain
Where you may wash and be clean
Fly, for th’avenger is near thee
Call, and the Savior will hear thee
He on His bosom will bear thee
O thou who art weary of sin
O thou who art weary of sin

He will protect thee forever
Wipe ev’ry falling tear
He will forsake thee, O never
Sheltered so tenderly there
Haste, then, the hours are flying
Spend not the moments in sighing
Cease from your sorrow and crying
The Savior will wipe ev’ry tear
The Savior will wipe ev’ry tear

Grief and Funeral Music is Available Online

Monday, September 14th, 2009
Traditional hymns are appropriate for funerals, as well as new music that reflects the life of the deceased.

Traditional hymns are appropriate for funerals, as well as new music that reflects the life of the deceased.

Are you stumped for music for a somber occasion such as a funeral or viewing? No matter whether this music is for you or for a loved one, the choices are expanding to meet the demand for a market seeking alternatives to traditional suggestions. The following list is provided for your convenience, with an overview of what each source offers.

  • Channel Productions: Located in Idaho, this company is an independent record label that has been in business for over twenty years. You’ll discover piano music, classical guitar and more in songs that reflect folk, hymns, a broad classical repertoire and a bit of jazz.
  • Comfort Music: This company prides itself in being the “leading provider of innovative musical concepts for the funeral service profession.” Their history of the funeral music industry is interesting reading. Their catalogs are available for the general public to browse and includes categories for religious, contemporary, easy listening, ethnic, classical and patriotic and military music among other choices.
  • Griefsong: Paul Alexander is a singer, songwriter, psychotherapist, author, actor and performing artist who has shared his music and message of hope throughout the United States and Canada. For over ten years Paul’s bereavement work was in a hospice for terminally ill children journeying with the children and their families through the dying and the grief process. You now can gain access to Paul’s music through this site.
  • The Memorial Music Library: If you want to mix your own blend of music, you can do so here, where over 95 percent of the songs in this library are available at iTunes for about $.99 each. Some songs on this site are free to download directly from the site.

One way to choose music for a loved one is to think about that person’s life and to choose music that person liked. Even if other visitors to the viewing or funeral may not understand your choices, you have created a topic of conversation that can help others learn more about the deceased. Listen closely to the lyrics, however, so you don’t choose an inappropriate song for a funeral.

Funeral Music: Henry Purcell and the Death of Queen Mary II

Wednesday, September 9th, 2009

A funeral and the attached loss of life to death often is characterized through music. Although many people today do not have music composed specifically for a death, this effort was not uncommon a few centuries ago, especially when music was called for during the death of a Queen who was beloved by her subjects. Hence, the “funeral Music for Queen Mary,” written by Henry Purcell (1659-1695), music that remains popular even today.

Queen Mary II, wife of William III (also known as William of Orange), died from smallpox on 28 December 1694. Her body lay in state for public observation until her burial at Westminter Abbey on 5 March 1695. This long wake period provided plenty of time for Purcell to create the music for that somber occasion. In fact, some of that music was performed for Purcell himself later that year when he died in November.

Although Purcell’s music was decidedly Baroque, he wrote a few anthems during his lengthy musical career. Most notable of these anthems is “They that go down to the sea in ships,” which provided a range of two octaves written specifically for the voice of the noted singer, Rev. John Gostling. He also composed operas and semi-operas, and the entire range of his life’s work went into composing the music for the anthem (”Thou know’st, Lord”), march and two elegies included in Queen Mary II’s funeral music arrangements.

Although you can purchase a CD with what seems to be an entire range of the music included in Queen Mary II’s funeral arrangements, it remains a point of argument that no one can be sure what was included in the original arrangements. No autograph scores exist, and Purcell did not leave an account of the ceremony. However, it is known that drums and trumpets participated in the event and that no tympani were used for the brass movements – although many modern arrangements include tympani (kettle drums).

However, a selection of CD music or downloads can reveal the bent behind the composer, who used his vast experience at a fairly young age (he was born in 1659 and died in his mid-thirties) to accomplish a wide selection of chorals and music that not only pleased the mourning public at the time, but that continues to hold fascination to listeners today. Purcell’s arrangements are very formal, somber, melancholy and expressive, as noted in the video above.

Purcell is buried adjacent to the organ he was fond of playing in Westminster Abbey. His epitaph reads, “Here lyes Henry Purcell Esq., who left this life and is gone to that blessed place where only his harmony can be exceeded.”

Funeral Home Options

Thursday, September 3rd, 2009
A floral tribute to a mother in Great Britain, a reminder that funerals often are for the survivors.

A floral tribute to a mother in Great Britain, a reminder that funerals often are for the survivors.

Have you thought about how your body might be handled after you die? If so, you may have considered creating options for your burial now, even when young. But, the thought of walking into a funeral home to discuss those options might keep you from making those decisions.

That’s why we prepared the following list of items that a funeral home might offer. You can use this list to make decisions about what you want for your burial. Additionally, you can use this list when you call funeral homes to discuss their options and costs. This is true pre-planning, and it doesn’t cost anything to make those decisions now. However, you may want to create an account that is earmarked for your burial so loved ones don’t need to fret about the costs to fulfill your wishes.

The funeral home’s list may or may not include all the items listed below. And, your choice for #1 can help you to make decisions about all the other items in the list. Funeral homes are required by law to be transparent in their current prices. They also must agree to your decision to use other options when available, such as other caskets than those that are in the funeral home showroom and more. If you want a green burial, you may need to conduct more research to find a funeral home and cemetery that will fulfill your wishes.

  • Options for burial include traditional burial, cremation or gifting your body to science.
  • Transporting the body to funeral home
  • Emblaming and other body preparations. Learn about the laws in your state, and plan for options such as a death away from home where your body may need to be transported. In many cases, transportation of a body over state lines requires embalming.
  • Flowers? Or, other options for survivors to honor your life and death?
  • Traditional burial options, such as a vault, casket, headstone, etc.
  • Transportation of the body to cemetery, and other transportation possibly required for a funeral procession.
  • Plans for costs of wake, viewing, etc.
  • Printed items such as memorial cards, guest book and funeral programs.
  • Tents and chairs for viewing and/or burial service at graveside.
  • Copies of death certificate.
  • Assistance in notifying insurance companies and newspapers regarding your death. The option may include notifying organizations in which you are a member.

The funeral home may also ask the following questions:

  • Do you want an open or closed casket if you choose traditional burial?
  • Do you want an indoor memorial service or a graveside service or both?
  • Do you want an elaborate or simple service?
  • Who conducts the service – do you prefer a family member, a religious leader or a funeral home?
  • Who will speak at the service?
  • Do you want music? If so, what plans do you have for the “playlist”?
  • Do you want a reception or wake before or after the service or both or none at all? If so, where?

You also can join or talk with a memorial society to learn about all your options before you make decisions. While you may want to keep the funeral inexpensive, you also can be creative about your plans. After all, the funeral is for the living, and it can be the last gift you provide to your loved ones.